ECLAT 1

Opening

Adrian Nagel: Ausstellung II
for 9 groups of 5 to 8 wind instrument players each (2019)/16′

Sandeep Bhagwati: Vistar (Tanpura)
for string orchestra (2018)/20′

Tim Schomacker/Christoph Ogiermann: SINSHOME or: The greatest power
for choir, KLANK, one countertenor soloist, player, film and live movie (2019)/23′

Municipal band Lahr//Ensemble Aventure
Hyungjin Jang (a.G.), flute/Andrea Nagy, clarinet/Alexander Ott, oboe/Wolfgang Rüdiger, bassoon/Delphine Gauthier Guiche, horn/Wolfram Lauel (a.G.), trumpet
Conductor Nicholas Reed

Stuttgarter Kammerorchester
Young String Orchestra Weil im Schönbuch

Vocal Ensemble Sinsheim
Ensemble KLANK
Reinhart Hammerschmidt/Markus Markowski/Christoph Ogiermann/Tim Schomacker
Conductor Erwin Schaffer
Berkan Zerafet, countertenor
Film actors*: Antje Dubral/Matthias Duderstadt/Tobias Hamann/Dina Koper/Heiko Müller/Ute Wicke
Matthias Schneider-Hollek, sound direction
Thomas Keiser, live video

Shooting locations: Atelier Fehrfeld/Kreienborg Delicatessen/Der Blumenonkel/TUI Travel Agency/Bremen Airport/TUI Reisecenter sinsheim/Bauernmarkt am Berliner Platz/Wochenmarkt Sinsheim/Metzgerei Bräunling/Kamloth + Schweitzer Bookstore/Rhein-Neckar Zeitung/Blumen [&] Gärtnerei von Hausen/Schmitt [&] Hahn Book and Press

In cooperation with the ad libitum composition competition of the Netzwerk Neue Musik Baden-Württemberg e.V. and the Winfried Böhler Kultur Stiftung

At the beginning, the audience wanders through »Exhibition II« by Adrian Nagel, who wants to draw attention to the smallest differences in sound. A »rich, constantly changing drone« is created in Sandeep Bhagwati’s »comprovisation«. And Christoph Ogiermann tells of Sinsheim’s transformation into a city that takes on a pioneering role in the transition to a »unicellular« society. The three composers are the winners of the composition competition ad libitum, which in 2018 for the first time offered works for »Tandems« from an amateur and a professional ensemble.

Back to the revolutionary potential of language: »Not the language of millions, but the dialect of everyone.« …Back to the revolutionary potential of language: »Not the language of millions, but the dialect of everyone.« …