ECLAT 5

Modest Mussorgski: Boris Godunow (Urfassung von 1869)
based on the eponymous verse drama by Alexander Pushkin

Sergej Newski: Secondhand-Zeit
based on texts from the book of the same name by Svetlana Alexievich
(premiere on 2.2.2020 at the Stuttgart Opera House)
(Commissioned by the Stuttgart State Opera)

Boris Godunow: Adam Palka/Fjodor/Die Aktivistin: Alexandra Urquiola/Xenia/Die Geflüchtete: Carina Schmieger/Xenias Amme/Die Mutter des Selbstmörders: Maria Theresa Ullrich/Fürst Wassili Schuiski: Matthias Klink/Pimen: Goran Juric´/Grigori Otrepjew/Der jüdische Partisan: Elmar Gilbertsson/Warlaam: Friedemann Röhlig/Eine Schenkwirtin/Die Frau des Kollaborateurs: Stine Marie Fischer/Ein Gottesnarr/Der Obdachlose: Petr Nekoranec/Schtschelkalow: Paweł Konik/Missail: Charles Sy

Staatsopernchor Stuttgart
Staatsorchester Stuttgart
Conductor Titus Engel

Director: Paul-Georg Dittrich
Stage: Joki Tewes, Jana Findeklee
Costumes: Pia Dederichs, Lena Schmid
Video: Vincent Stefan
Lighting: Reinhard Traub
Chorus: Manuel Pujol
Dramaturgy: Miron Hakenbeck
Camera and picture design: Tobias Dusche An event of the Stuttgart State Opera

An event of the Stuttgart State Opera

Who makes history and in whose interest? How does it relate to the truth? Is memory fiction? For Svetlana Alexijewitsch, the truth lies in the polyphonic juxtaposition of the experiences of hundreds of uncrowned, anonymous »hero*ines of everyday life«, as she documents them in her book Secondhand-Zeit. The composer Sergej Newski places some of these life stories as musical fragments of memory between Modest Mussorgski’s historical tableaux. They are exemplary for the collapse of the wars for power and ideals in the protected enclaves of love and family. In BORIS, Newski’s new composition interlocks with Mussorgski’s 1869 composed opera to form a common narrative.
(from the announcement text of the Staatsoper Stuttgart)

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ECLAT 5

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