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Anna Sowa: smar II

für Kontrabass, E-Gitarre und Elektronik

(2021)

Um die Wahrnehmung des Publikums nicht unnötig zu beeinträchtigen, werde ich mich auf zwei Sätze zur Beschreibung des Stücks beschränken.

»smar« ist das polnische Wort für Fett (Schmiermittel)–eine dicke, ölähnliche Substanz, die auf Maschinenteilen verwendet wird, damit sie reibungslos funktionieren.

Der Zweck des Stücks ist es, die Möglichkeiten zu erforschen, wie man einen ähnlichen Fluss von Elektronik, Kontrabass und Gitarrenparts erzeugen kann.
Anna Sowa

Anna Sowa (*1987 in Limanowa, PL) is an experimental composer and artist working mainly with electronic music and performing arts fields. She is interested in the intersection of movement, gesture and theatricality in connection with electronic and instrumental music.

She graduated from Bacewicz Academy of Music in Lodz (PL) with a Master’s degree in eurhythmics (2011) and composition (2016), where she studied with Zygmunt Krauze. In 2014/15, as part of the Erasmus+ program, she studied composition and visualization with Dietrich Hahne at the Folkwang University of the Arts in Essen. As a Chinese government scholarship recipient she studied at the Shanghai Conservatory of Music (CN) in 2017/18. In 2021 she graduated with distinction the »Specialized Master Performance/Composition« with Caspar Johannes Walter and Johannes Kreidler.

In 2021, Anna Sowa won the Fringe Competition of the Haydn Foundation. As part of the prize, her opera Silenzio/Silence will be premiered in March 2022 as part of the Festival Oper 2022 in Bolzano.

Among others, she received the Witold Lutosławski Scholarship 2019 (PL), donated by family members of the composer, and the Nicati-de Luze Scholarship 2020 and 2021 (CH).

https://annasowa.eu

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Anna Sowa: smar II

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